Most of the people who end up on this page came in for one thing and stayed for another. A stylist hunting amber-toned props for an autumn shoot. A guesthouse manager who needed a three-metre panel that would not fight the linen bedding. A first-timer who booked a bench on a Saturday and left with a plant hanger and a jar of madder root. The notes below are theirs, lightly edited for length.
"I brought three wet madder samples back to the restaurant and the floor manager picked the middle one on the spot. Twelve covers later, they still look like they belong together after a year of twice-weekly laundry."
"The indigo panel went up on a long whitewashed wall and it just settled the room. Guests keep asking who made it. The layered blue reads different in morning light than it does at night."
"Eight of us around the table, dye pots going, and nobody felt rushed. I came in not knowing a square knot from a lark's head and walked out with a plant hanger I actually hung up."
"They quoted per square metre, stuck to it, and sent dye notes with the delivery so we could match the next batch. That kind of follow-through is rare with handmade work."
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Eight benches, one long table, and a dye pot already warming. If you have been meaning to learn how madder root and indigo actually behave on hemp cord, this is the shortest route in. Bring nothing but an apron you don't mind staining.
Not sure which session suits you, or working on a commission for a guesthouse or restaurant? Write to us first and we will point you to the right bench.
Next step
Reserve your place at the Woodstock studio. We confirm by email and hold the bench for two days.
Book a benchPrefer to read first? Start with what to prepare before a first consultation or how to choose a workshop format.