Botanical Fibre

What the studio actually does, bench by bench

Every service here starts with fibre and a dye pot. Nothing is ordered in from a factory, so the range is small on purpose: hand-knotted macrame, plant-dyed cloth and cord, and the Saturday sessions where you learn to make both. Below is what each one covers, who tends to book it, and what you leave with.

Botanical Fibre service menu

Saturday knotting workshop

Eight benches, one dye pot, three hours. You start with square and lark's head knots on hemp cord, then move to a small wall piece or plant hanger. Cord, dowels and dye materials are included, and the finished piece goes home with you the same afternoon.

Plant-dye sessions

A separate half-day for anyone who wants the colour side. We work through onion skin, madder root and an indigo vat, covering mordanting, bath temperature and how to read a wet sample before it dries. Bring a notebook; the dye notes are the useful part.

Commissions for interiors

Restaurants, guesthouses and home stylists come to us for wall panels, cushion covers and woven baskets. Work is quoted per square metre, and we agree the dye direction from wet samples on the table before knotting starts. Lead times depend on how many indigo dips the piece needs.

Offcut plant holders

Nothing from a commission gets thrown away. Short cord ends become small knotted holders in whatever colour the current batch produced, sold at the studio door. Stock changes with each dye run, so what is on the shelf depends on the week.

Not sure which format suits you? The studio contact page lists bench availability, and the support notes cover what to bring and how commissions are scheduled.

Ways to work with the studio

Three formats cover almost everything that leaves the Woodstock bench: a Saturday session at the table, a commission measured against your wall, and a small run of offcut pieces for shelves and windowsills. Each one starts with a conversation about fibre, colour and where the piece will actually live.

Saturday Workshop Bench

Eight seats around the table, one full day. We start with cord selection across hemp, linen and cotton, then move into square knots, half hitches and how to keep tension even across a wide panel. After lunch the dye pots come out: onion skin, madder root and an indigo vat, with a short session on mordanting and how to read a bath before you commit a piece to it.

  • Materials and dye stuffs included
  • Finished wall hanging or plant hanger goes home with you
  • Runs most Saturdays, booking ahead is wise
Reserve a bench

Commissioned Textiles

For restaurants, guesthouses and home stylists who need a piece sized to a specific wall or a set of covers that survive a working week. We quote per square metre, agree the dye direction from wet samples on the table, and work in batches so a run of twelve reads as a family rather than a uniform. Lead time depends on the dye and the knotting density.

  • Wall hangings, cushion covers, room dividers
  • Dye notes kept so a later run can match
  • Site visit or measurements from your side
Start a commission

Offcut Plant Holders

Nothing from a large commission gets thrown away. The short ends of hemp and linen cord become small knotted holders for pots up to about 14 cm across, dyed in whatever bath is running that week. They sit in a basket by the studio door, and the colour you see is the colour you get, since each batch is small and rarely repeats.

  • Small runs, colours change with the dye pot
  • Available at the studio door during open hours
  • Ask about a set for a shop or guesthouse
Ask about a set

Not sure which fits? The studio overview walks through how a first visit usually goes.

Questions we get asked at the bench

Most people arrive with the same handful of worries before they book a Saturday session or send a commission brief. Here is what usually comes up, answered plainly.

Do I need any knotting or dyeing experience?
No. The Saturday session starts from the first loop, and we keep the group at eight so there is time to correct your hands before a mistake sets into the cord. If you have done macrame before, tell us when you book and we will push you toward the more involved patterns and let you run your own dye bath.
What is included in the workshop, and what do I take home?
Hemp, linen and cotton cord, dye materials, tools and a bench apron are all provided. You leave with the piece you knotted that day, plus your dye notes so you can repeat the colour at home. Wear something you do not mind splashing; madder and indigo do not come out of light fabric.
How long does a commission take?
It depends on scale and how many dye dips the piece needs. A single wall hanging is usually a few weeks; a run of twelve cushion covers for a restaurant takes longer because each bath has to oxidise and dry properly between passes. We quote per square metre and confirm the timeline once we have seen the wall or the room.
Will the colours fade or shift over time?
Plant dyes do move, and we treat that as part of the material rather than a fault. Indigo softens, madder deepens with washing, onion skin warms. Keep pieces out of direct afternoon sun and wash linen cold by hand where you can. We send care notes with every commission.
Can I see the current dye batch before deciding?
Yes, and we would rather you did. The studio door is open during the week, and the dye pots are usually on the go. Come look at the wet samples, feel the cord weights, and then book a bench for the next session. If you want to talk through a commission first, reach us at info@botanicalfibreart.com or call +27334987516.

Still unsure about something? Our support page covers booking changes and studio visits, and you can always get in touch directly.

From first message to a finished piece on your wall

Commissions and workshop bookings follow the same path. It keeps the dye batches honest, the knotting consistent, and you informed at every stage.

  1. Step 1

    Send the brief

    Tell us the room, the wall height, or the bench you want. Photos of the space and a rough size in metres help more than a mood board.

  2. Step 2

    Dye samples and cord choice

    We dye small swatches in onion skin, madder root or indigo and post them to you. Hemp, linen and cotton cord each take colour differently, so you pick from what you can actually hold.

  3. Step 3

    Knotting and finishing

    The piece is knotted by hand over one to three weeks depending on scale. Fringes are trimmed, ends are sealed, and the dowel is sanded and oiled before hanging.

  4. Step 4

    Handover and care notes

    You collect from the Woodstock studio or we arrange delivery. Every piece comes with washing and light-exposure notes, plus the dye recipe used, in case you order a second run later.

Workshop benches follow the same rhythm in a single Saturday: brief, dye bath, knotting, finishing. Have a look at the full service menu or get in touch to start step one.

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